![]() The true nature of Supreme Leader Snoke, for example. Trouble arises when The Force Awakens creates mystery boxes that will need to be opened at some point in the future. The break-up mystery box creates opportunities for character development and doesn't need to be opened in order to do so. These are effective examples of mystery box storytelling the intrigue behind Han and Leia's separation is more important than the actual detail of why they parted, especially after Han's death. Both are addressed in wider Star Wars media, but The Force Awakens itself keeps both mystery boxes firmly shut. For example, the reason behind Han and Leia's break up is never fully revealed, and nor is the comedy mystery of C-3PO's red arm. Where Clover came from has no bearing on the plight of the protagonists or the impact of the monster arriving in New York City.Ībrams also includes mystery boxes that aren't designed to be opened at all. Where Cloverfield succeeds is by capturing its audience with the mystery of the monster, but never needing to open the box in order to develop the characters. In his TED talk, Abrams stated that the true purpose of the mystery box is to elicit character development and emotion. Throughout the film, that mystery intrigues and fascinates, but the box is never opened. The mystery box here is the origin of the titular monster and how it came to arrive on Earth. An incredibly effective example of the mystery box at work can be found in Cloverfield, which Abrams produced. ![]() Young Abrams didn't open his $15 magic box because the thought of what might be inside was more interesting than actually ripping the thing open and finding out.Ībrams has applied this concept to his movies and TV shows over the years, but with mixed results. ![]() The director uses this nostalgic toy to argue that the creation of mystery and the sense of potential is sometimes the most exciting and engaging part of a story. Somewhat ironically, he uses the original Star Wars film as an example - "who is the woman fiddling with R2-D2?" "Who is Obi-Wan Kenobi?" But Abrams also brings onstage a real, physical magic box from his childhood that was never opened. In his speech, Abrams argued that all stories are essentially a series of questions and mysteries leading the audience from beginning to end. Abrams TED talk the filmmaker delivered in 2007. Abrams' vision of "mystery box" storytelling? The Rise of Skywalker answered these questions, and neither solve was universally loved. The Star Wars sequel trilogy dangled several major mysteries for fans to ponder, including Rey's unknown parentage and the backstory of the enigmatic Supreme Leader Snoke. When it comes to criticism aimed towards The Rise of Skywalker, one of the biggest is the quality of the reveals. Related: Why Rise of Skywalker’s Lightsaber Duels Are Star Wars' Worst There are some who loved or hated both, but generally speaking, those who liked one movie did not enjoy the other. Once again, a section of the audience hated the overstuffed, rushed exposition dump of The Rise of Skywalker, but others were pleased to return to more familiar ground and praised Abrams for not continuing in the vein of The Last Jedi. When Abrams replaced Colin Trevorrow for the final installment, most of what Johnson put in place was undone. With The Last Jedi, one half of the audience praised Rian Johnson's more subversive and unique take on the Star Wars format, while the rest decried the breaking of tradition and the deviation from what Abrams had set out in The Force Awakens. ![]()
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